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Ihagee Exa Digicam Evaluation – Informal Photophile

“It’s not a lot a digital camera with some eccentric options in-built, as a group of eccentric options with a digital camera hiding someplace behind them.” So wrote Roger Hicks and Frances Schultz in regards to the Exakta Varex IIa. And the identical might be mentioned of the Ihagee Exa: an easier and cheaper (however equally eccentric) sibling of the Exakta.

The Ihagee Exa is a fully-mechanical, interchangeable-lens 35mm SLR. However that’s a bit like saying the Volkswagen Beetle is a flat-four engine, two-door compact automotive. We get the info, however not the essence of the factor itself. To raised perceive this strange digital camera, let’s begin with Ihagee, the corporate that made it.

Ihagee : The Early Years

A number of years in the past, after I had solely a passing curiosity in classic cameras, I don’t suppose I had even heard of Ihagee. Nonetheless, the corporate has an essential place in photographic historical past.

Ihagee (pronounced Ee-haa-gay) was based in 1912 in Dresden, East Germany by a Dutchman named Johan Steenbergen. Steenbergen’s father, a affluent draper, needed him to hitch the textile commerce, however younger Johan was extra keen on images. On the age of simply 25, he based Industrie und Handelsgesellschaft mbH, along with his mom and himself as shareholders. The unique firm identify, as you’ll have seen, doesn’t roll simply off the tongue. It was quickly shortened to Ihagee, which is how the initials IHG are pronounced in German.

In its early years, the corporate made plate cameras and equipment, and subsequently, roll-film cameras. Considered one of their early designs was the weird Ihagee Patent Klapp Reflex of 1925 (Jason Schneider in Digicam Gathering calls it “an unfolding enigma”).

However the digital camera which Ihagee is most well-known for is the Exakta. The Kine Exakta, unveiled in 1936 on the Leipzig Spring Truthful, is arguably the world’s first 35mm SLR (the opposite contender being the Russian GOMZ Sport). In some ways, the Kine Exakta was an astonishingly trendy digital camera. It had a focal-plane shutter able to 1/1000 sec, lever film-wind with auto shutter-cocking, and a bayonet lens mount.

Ihagee : WWII and Aftermath

However darkish instances have been forward. In 1940, Steenbergen and his Jewish spouse Elizabeth Nussbaum have been interned by the Germans, and their property was confiscated. Because of Elizabeth’s standing as an American citizen, the couple have been in a position to flee Germany, however Steenbergen by no means noticed his beloved manufacturing facility once more. In February 1945, Dresden was firebombed by Allied forces – one article describes it as “apocalyptic … a fury of devastation that beggars the creativeness”. The Ihagee manufacturing facility, like the remainder of this once-beautiful metropolis, was left in ruins.

Thankfully, the surviving Ihagee workforce had managed to salvage some machines and supplies from the particles, and arrange a brand new facility in a rented constructing. Manufacturing of Kine Exaktas was resumed instantly after the battle. The Exakta Varex of 1950 – lauded by Aguila and Rouah as a “sensational innovation” – was the primary 35mm SLR with an interchangeable viewfinder.

The Fifties have been described as “the golden years of the Exakta household.” The Exakta was a real “system digital camera” with interchangeable lenses, finders, focusing-screens, stereo adapters, close-up attachments, flash items and many different equipment. Crucially, with few different SLRs available on the market, additionally they had little competitors.

However Japanese producers have been beginning to acquire floor. The Asahiflex IIb of 1954 had an instant-return mirror (although it was not the primary: that honor goes to the Hungarian Gamma Duflex). The Exakta solely acquired this essential function in 1967; earlier fashions suffered viewfinder blackout till the movie was superior. The revolutionary Nikon F was launched in 1959, and 4 years later the Topcon RE Tremendous launched TTL metering, a function which no Ihagee digital camera – not even a lot later fashions – might boast. By the mid-Sixties, the Japanese ascendancy was full.

In the meantime, via the mid-to-late Sixties, Ihagee was regularly absorbed into VEB Pentacon (Volkseigener Betrieb, or Individuals’s Enterprise). The final “true Exakta” – that’s, manufactured by Ihagee and suitable with the Exakta household of equipment – was the Exakta VX500 of 1969. Nevertheless, numerous different cameras have borne the Exakta identify. These embody the Pentacon-made Exakta RTL 1000 (1969), the medium-format Exakta 66 (1984) – apparently a stateless entrepreneur’s “vainness mission” – and even a compact digital digital camera(!) from 2004.

So the place does my little Exa match into all this historical past?

Ihagee Exa : Little Sister of the Exakta

The Exakta Varex was a ravishing and feature-rich digital camera, however not everybody wanted all of the options, and in post-war East Germany, not everybody might afford it. A 1/1000 second shutter pace? In this financial system? Digicam producers within the Fifties had not but began utilizing the time period “entry-level,” however that’s basically what the Exa was – an easier, cheaper model of the Exakta largely suitable with Exakta-mount lenses and interchangeable viewfinders. It had a restricted vary of shutter speeds, no self-timer, and a really uncommon shutter (extra on that quickly).

The unique Exa was launched on the Leipzig Spring Truthful of 1950 as a cheap various to the Exakta. Within the advertising literature, its very simplicity was promoted as a advantage. “Not each purchaser can absolutely make the most of all of the options of the Exakta Varex,” mentioned a 1950 leaflet, “he needs an easier, however not much less dependable, SLR at a low value.”

The German advert says, “The comfortable dad will seem extra usually within the household album, now that mother has her personal digital camera, the little Exa […] It’s low cost and straightforward to make use of. Good for mother!” (Earlier than we roll our eyes at mid-century promoting, it’s value reflecting that sexism stays widespread within the images business even at the moment.) The article by Ivor Matanle (Novice Photographer, 17 September 2005), suggests another excuse to purchase an Exa – as a second physique for a photographer who already has an Exakta.

Ihagee Exa Variants

Launched in 1950, the Exa remained in steady manufacturing for the following 37 years. Almost 1.4 million items have been produced by the manufacturing facility in Dresden, and briefly, Sömmerda. Unsurprisingly given its lengthy manufacturing run, the Exa went via quite a few variations, a lot to the enjoyment (or despair) of collectors.

I’m a consumer, not a collector. So on this part I’ll restrict myself to a quick overview of the variations, specializing in the variations that are prone to matter from a consumer’s perspective. For a full-fledged “collector’s classification” I refer you to Wrotniak and PhotoButMore.

There have been three principal courses of Exa cameras: the unique Exa (1951–62); its successor, the Exa I (1962–87); and a separate, concurrent line, the Exa II/Exa 500 (1960–69). The nameplate on the digital camera is the best option to establish which class it belongs to. On an unique Exa, the nameplate merely says “Exa”, whereas the later variations have a suffix indicating the precise mannequin.

All are fully-manual SLRs with no light-meter. All have an Exakta bayonet mount, besides the Exa Ib and Ic that are M42 screw mount. All have a left-handed shutter-release (I did warn you, it’s a unusual digital camera).

The unique Exa fashions, in addition to their successor, the Exa I class, have interchangeable viewfinders and a novel “guillotine shutter” which I’ll discuss shortly. This shutter design doesn’t enable for an instant-return mirror, and likewise limits the highest pace to round 1/150 sec (some very early variations have a nominal 1/250 sec, however apparently this was not achieved in observe).

The unique Exas have a lever to set the shutter pace (they’re typically additionally known as “gear-shift Exas” as a result of the lever appears like a stick-shift). Within the Exa I, this lever was changed by a extra standard dial. Early fashions have knobs for advancing and rewinding movie. The Exa Ia was the primary to get a film-advance lever, and the Exa Ib acquired a rewind crank.

Chronologically, as you possibly can see from the manufacturing years above, the Exa II overlapped the Exa and Exa I strains. All Exa II fashions have a non-interchangeable, eye-level (prism) finder, and a extra standard focal-plane shutter permitting for high speeds of 1/250 or 1/500 sec. Just like the later Exa I fashions, they’ve a shutter-speed dial and a film-advance lever. The Exa IIa was the primary to get a rewind crank, and from the Exa IIb, additionally they have an instant-return mirror.

My very own mannequin is the ultimate variant of the unique Exa (model 1.6 in keeping with Wrotniak’s classification), produced from 1960–62. In the remainder of this assessment, that is the digital camera I’ll be specializing in. A few of what I write additionally applies to different variants, however model 1.6 is the one one I’ve personally used.

Why I Purchased the Exa

To date on this assessment, I’ve caught to the info – historical past, variants, and so forth. From right here on in, it will get extra subjective. However earlier than speaking in regards to the digital camera itself, I need to briefly discuss why I acquired the Exa and the way I exploit it. Since my assessment will not be very goal, I determine I ought to no less than give some context.

A few years in the past, I turned keen on extremely wide-angle (UWA) prime lenses for movie cameras. Particularly, I used to be eyeing a 20mm MD lens for my Minolta SLR. However they’re moderately costly, and I quickly realized that I might as a substitute get a Carl Zeiss Jena Flektogon 20mm f/4 plus an Ihagee Exa physique, and nonetheless have some money left over.

Furthermore, I’m a sucker for fairly cameras, and with its compact dimension, unusual trapezoidal form and basic styling, the Exa may be very fairly certainly. Apparently, not everybody agrees. In a hilariously defensive part titled “¿Quién dijo feas?” (Who mentioned ugly?) a Spanish assessment famous, “There are those that dare to say that the Exas are ugly, and even those that have come to explain them as ‘chubby’. However there are few, if any, who can deny the pleasantness of their character and look.”

I just like the Exa’s cute kind issue, and its steampunk aesthetic, with nickel plating, knobs and levers. Most collectors choose the older variations (1.1 to 1.5), which have silver nameplates with calligraphic lettering. However I used to be particularly searching for model 1.6; I like its black silk-screened plate with cursive silver script.

In precise use, the Exa is undeniably an oddball. However I like oddballs – and when you’re studying this assessment, I suppose you do too. Apart from, the Exa was by no means going to be my principal digital camera. I acquired it as a special-purpose, “enjoyable” digital camera, primarily as a physique for the fantastic 20mm Flektogon lens (although I later added a Meyer-Optik Domiplan 50mm f/2.8). For that purpose, I can tolerate – even get pleasure from – its many quirks.

So let’s speak in regards to the quirks.

The Many Quirks of the Ihagee Exa

Movie cameras are available in a bewildering array of sizes and styles – from tiny to humungous, from easy to complicated. But when you concentrate on it, manual-focus 35mm SLRs are largely related. The Exa is the exception that proves the rule.

I counted no less than six methods during which the Exa is completely different. Subsequent up I’ll discuss these quirks, and what affect they’ve on sensible use. For every quirk, I’ve additionally famous an sudden benefit. You might or could not agree with the ‘benefits’ – I did say I’m biased!

Quirk 1: Guillotine shutter – In terms of shutter sort, nearly all movie cameras fall into one in every of two classes: focal-plane shutter or leaf shutter. The Exa and Exa I fashions are an exception; they’ve a really uncommon “guillotine shutter” (The Exa II fashions, nonetheless, have a extra standard focal-plane shutter).

Most English web sites use the time period “guillotine”, however I believe the German time period klappenverschluß (flap- or hatch-shutter) is a greater description. On this design, the SLR mirror itself kinds a part of the shutter – the primary curtain, so to talk. Once you press the shutter launch, the mirror flips up, exposing the movie. Instantly afterwards, a metallic plate swings up, blocking the sunshine path and ending the publicity. Marc Rochkind has a extra detailed description of the way it works.

Benefit: The extra subtle Exaktas had a focal-plane shutter made of fabric, and have been thus able to quicker speeds. Nevertheless, with the passage of years, the material has proved inclined to pinholes and lightweight leaks: a recognized challenge with Exaktas. For all its different limitations (see quirks 2 and three), the Exa’s guillotine shutter appears extra sturdy.

In accordance with John Margetts, the shutter additionally has no want of lubricants, so it may be utilized in very chilly situations. And it’s fairly quiet, if that’s one thing you care about. One In style Pictures article (Dec 1963) described the Exa as “the quietest and smallest full-frame SLR round”, whereas one other (Feb 1958) known as it “quiet as a mouse”.

Quirk 2: Viewfinder blackout – The later fashions within the Exa II line have an instant-return mirror, however on all different Exas, together with mine, that isn’t the case. Once you press the shutter, the mirror flips up… and stays up. Consequently – and considerably disconcertingly – the finder goes darkish. Visibility is restored while you advance the movie, at which level the mirror is mechanically lowered in preparation for the following shot.

Benefit: On another cameras, I’ve been recognized to press the shutter, however nothing occurs as a result of I forgot to advance the movie. This by no means occurs with the Exa: when you haven’t superior the movie, you possibly can’t see via the finder. At the least on this one respect, it’s foolproof.

Quirk 3: Shutter pace – On my Exa, made within the early Sixties, the quickest shutter pace is 1/150 sec. The Exa 1c – final of the sequence (1985–87) – goes to 1/175 sec, however that’s solely a quarter-stop quicker. By comparability, the Nikon FM2 of 1982 had a high pace of 1/4000.

The shutter-speed choice may be very restricted on the whole – a consequence of the guillotine design. Mine has simply 4 speeds: 1/25, 1/50, 1/100 and 1/150 (plus Bulb). With a traditional lens, taking pictures handheld at 1/25 sec, you run the chance of digital camera shake. So that you’re principally restricted to the three quickest speeds – a variety of just one.5 stops. Furthermore, the instances don’t observe the standard sequence (1/30, 1/60, 1/125…), so when you’re utilizing a regular mild meter, chances are you’ll want to regulate accordingly.

Benefit: In case you’re versatile together with your alternative of aperture, you possibly can typically make do with the restricted choice speeds. You may even argue that it simplifies issues. With the Exa, I usually suppose in shutter precedence mode; for instance: “With the movie and lightweight I’ve, what aperture will give me 1/100 sec?”

This method is extra versatile than you would possibly suppose. Somewhat than explaining within the summary, it’s simpler to see with examples.

The artwork gallery picture was in not-so-bright indoor mild, utilizing Kodak Ultramax 400.  At f/4, the 20mm Flektogon’s widest aperture, my cellphone meter indicated 1/15 sec. I went with 1/25 sec, the Exa’s slowest shutter pace. With a lens this huge, handholding a gentle 1/25 sec will not be too laborious. The picture is barely underexposed, however usable.

The sculpture was one other indoor-light picture on Fuji Superia 200. At f/4, my cellphone meter prompt 1/4 sec which isn’t obtainable on the Exa. No downside. I merely stopped right down to f/8, switched to Bulb and made a 1-second publicity. I averted digital camera shake by resting the digital camera on the parapet, however you possibly can see movement blur on the particular person on the best – an artist who was sketching the sculpture.

The picture with clouds was on the identical ISO 200 movie. I needed element within the sky, and to stress the form of the cover by rendering it as a silhouette. It was a vivid day, however through the use of the Exa’s quickest shutter pace (1/150) and the smallest aperture on the 20mm Flektogon (f/22), I used to be in a position to obtain each these goals. One other various can be to make use of an ND filter, which I don’t have.

The black-and-white portrait was shot on Oriental Seagull 400 on an overcast afternoon, with the 50mm Domiplan. I needed to make use of the widest aperture, f/2.8, for shallow depth of subject. My cellphone meter indicated 1/400 sec, which isn’t obtainable on the Exa. I simply went with 1/150 sec – a 1.5-stop overexposure, however most detrimental movies can deal with that, particularly in a low-contrast setting like this one.

Quirk 4: Left-handed shutter – The place of the shutter-release is bizarre in two methods. First, it’s on the entrance of the physique, like on some Praktica cameras. However not like the Prakticas – for that matter, not like nearly each different digital camera recognized to humankind – the shutter-release is to the left of the lens. Thus the Exas and Exaktas are amongst only a few 35mm cameras the place the shutter is operated with the left hand. (The Kodak Ektra is the one different one I do know of.)

What was the logic behind this design alternative? I do not know. Wrotniak places it right down to the “German ‘I do know what’s best for you regardless what you suppose’ perspective … Focusing is a accountable process: it should be trusted to the best hand, subsequently the shutter launch must be on the left.” The speculation could or will not be correct, however I discover it amusing.

Marco Kroeger theorizes that it might be a holdover from older Exakta cameras for 127 movie the place the movie transport was from proper to left. Some say that Karl Nüchterlein, designer of the unique Exakta, was left-handed, however I’ve by no means seen a dependable supply for this declare.

Benefit: I suppose when you’re left-handed, it is perhaps a bonus. I’m right-handed, however I acquired used to the Exa pretty rapidly. Although I ought to say, I’m fairly versatile in the case of cameras. If images boards are to be believed, some folks discover a left-handed shutter nearly inconceivable to work with.

Quirk 5: Movie loading, transport and rewind – These are just a little quirky, however not exceptionally so. The Exa has a detachable take-up spool for movie loading (vulnerable to getting misplaced, so when you’re shopping for one, test that the spool is included). It has milled knobs for movie advance and rewind. I need to say I’m not a fan of those knobs; I choose the “trendy” film-advance lever and rewind crank. However it’s what it’s.

The film-counter doesn’t reset mechanically while you open the digital camera again. When loading a brand new roll, you flip a milled ring to manually reset the counter to zero. The guide reset doesn’t hassle me as such, however the ring is a bit fiddly and annoying to make use of.

Benefit: The take-up spool could be changed by an empty movie cassette. Connect your movie chief to an empty cassette, and save your self from having to rewind the movie. I need to confess I’ve by no means tried this myself; the rewind knob will not be excellent, however it doesn’t hassle me that a lot.

Quirk 6: Viewfinder – The Exa is basically suitable with Ihagee’s big range of finders and focusing screens (Wrotniak has a good overview, together with a piece on finder/physique compatibility). In fact, this isn’t a limitation in itself. Fairly the alternative; such selections are often solely obtainable on “professional” SLRs. The limitation (or quirk) stems from the truth that aside from the Exa II fashions which have a non-interchangeable prism finder, most Exas have a tendency to come back with a waist-level finder.

With these, you maintain the digital camera at waist-level and look down at a picture projected on a ground-glass display screen. The picture is reversed left-to-right, which takes some getting used to. In case you’ve used a TLR, you recognize what it’s like. However on a 35mm digital camera just like the Exa, the display screen is lots smaller than on a medium-format TLR.

Focusing is difficult at waist stage, particularly at wider apertures. Ihagee finders have a built-in pop-up magnifier which helps with important focus, however deploying the magnifier and elevating the digital camera to your eye are additional steps which may gradual you down. Keep in mind, too, that many of those cameras are nearly 70 years previous, so the mirror and ground-glass display screen are usually not as pristine because the day they left the manufacturing facility (mine definitely aren’t). In brief, to focus and compose, you’ll be wanting down right into a small, comparatively dim display screen with a laterally-inverted picture.

Benefit: For starters – and right here’s the great factor a couple of “system digital camera” – you may get a prism finder, which might be what I’d do if the Exa have been my principal digital camera. However as I mentioned, I acquired it as a enjoyable digital camera for infrequent use, and the waist-level finder was really one of many issues which drew me to it. As a result of for all their disadvantages, these finders have a sure allure. Even people who find themselves not in any other case into cameras are fascinated by the ground-glass picture (my pal mentioned, “Whoa, an analog LCD”). When taking portraits, you possibly can keep eye-contact together with your topic. And a few taking pictures positions are simpler with a waist-level finder, like if you wish to place the digital camera on the bottom. The finder could be folded down when not in use, making the digital camera much more compact.

Within the photographs under, you possibly can see the how the finder folds out, in addition to the pop-up magnifier. I’ve additionally proven the set-up for an precise picture, and the way it turned out on black-and-white movie.

Different Options

Just by describing its quirks, I discover that I’ve mentioned just about all I needed to say in regards to the Exa. There are only a couple extra issues so as to add for completeness. The digital camera has a typical 1/4″ tripod screw at its base. It has no hot-shoe (nor cold-shoe, for that matter) however it does have two PC sockets. The X socket is for digital flash, and the F for old-style magnesium flash bulbs (which the Exa guide charmingly calls “common flash”). The quickest sync pace is 1/50 sec for digital flash and 1/25 sec for flash bulbs.

The shutter-release button has a thread which accepts a regular cable-release. There’s a cute little lock proper above, which could be swivelled down to stop unintentional shutter actuation. And that’s just about all there’s.

Like many East German cameras, the Exa is well-made and feels strong, even when a number of the controls don’t really feel extremely refined. Positive, it has limitations. However one main benefit of a totally guide digital camera is that you’ve got complete management over the three most essential parameters: aperture, shutter pace and focus. One other benefit is that there are fewer issues which may go improper. Work inside its limitations, and the digital camera delivers.

Exakta-mount Lenses

Exa cameras have a bayonet-type Exakta mount (aside from the Exa Ib and Ic which, as talked about, have an M42 screw mount). There’s a huge vary of used lenses obtainable for each Exakta and M42 mounts, a lot of that are very fairly priced. On this article I’ll concentrate on the Exakta mount.

There are three generations of Exakta-mount lenses: guide, preset and automated. This categorisation is predicated on how the aperture is ready. On most SLRs, whatever the chosen f-stop, the aperture stays huge open whilst you focus and compose, supplying you with the brightest attainable viewfinder picture. Once you press the shutter, an inside coupling mechanism instantaneously closes the aperture right down to the chosen f-stop. That is such a typical function that we hardly give it a second thought. However that was not at all times the case.

With first-generation (guide) Exakta lenses, you focus and compose huge open, then manually cease right down to your required aperture earlier than urgent the shutter. This can be a slower process, and relying on how far you cease down, the viewfinder picture while you really press the shutter could also be considerably dimmer.

The second-generation (preset) lenses are barely extra handy. They’ve one ring to pre-select the f-stop, at which level the aperture stays huge open. Then simply earlier than urgent the shutter, you flip a second ring, closing the aperture right down to the preset f-stop. This methodology of stopping down is quicker, and could be executed with out taking the attention from the finder (the second ring turns until the preset aperture after which stops). However it’s nonetheless a further motion to carry out.

The third-generation (automated) lenses have a spring-loaded exterior plunger which stops down the aperture to the chosen setting. When the lens is mounted on the physique, this plunger {couples} with (and doubles up as) the digital camera’s shutter-release. Urgent the plunger concurrently stops down the aperture and releases the shutter. That is an uncommon answer however, as Wrotniak says, is successfully “as handy as any answer utilizing inside coupling”.

In case you are shopping for an Exa for precise use (versus assortment or show), I’d suggest wanting into automated lenses, simply identifiable by the plunger on the facet. Guide and preset lenses are usually not essentially cheaper; in reality, some collectible variations are costlier. And utilizing the Exa is already fairly difficult, so why make your life much more sophisticated? However that’s simply my advice, nothing extra. We’re all completely different, and when you needed a easy life, I suppose you wouldn’t be utilizing an Exa in any respect.

Exakta-mount Lens Choice

So far as I do know, there was just one Ihagee-branded lens – the Exaktar 54mm f/3.5 (really a rebranded Meyer Primotar). Nevertheless, a mind-boggling array of lenses was produced for the Exakta mount by different producers – largely German (together with Carl Zeiss Jena, Meyer-Optik, Schneider-Kreuznach and Steinheil), but additionally French (Pierre Angénieux), Japanese (Taika) and numerous others. The lenses run the gamut from ultra-wide to tele; from low cost and plentiful (like my Domiplan 50/2.8 which was solely £11) to uncommon and costly; from “characterful” to “medical”. A number of the chrome-finish Angénieux and Steinheil lenses, for my part, are among the many prettiest lenses produced by any producer, for any system.

In case you’re within the multitude of different Exakta-mount lenses on the market, Wrotniak has a very good overview, Captain Jack has descriptions and photographs of his huge lens assortment, and Hugo Ruys has an inventory of over 2,500(!) Exakta-mount lenses.

Many of those lenses are undeniably tempting, but when, like me, you employ an Exa with a waist-level finder, suppose twice earlier than splurging on an unique ultra-fast lens like a Biotar 75mm f/1.5 or a Harigon 58mm f/1.2. As a result of comparatively small display screen, I typically miss focus even with my Domiplan 50mm f/2.8. Quick lenses with shallow depth-of-field can be even trickier.

One other essential caveat is that lenses longer than 100mm will vignette on the unique Exa and Exa I fashions. This is because of their guillotine shutter, so the Exa II and Exakta fashions don’t have this limitation.

To date, I’ve solely used two Exakta-mount lens: the Flektogon 20/4 and Domiplan 50/2.8. I hope to assessment these two lenses sometime, however in the meantime, listed here are some extra pattern photographs.

Remaining Ideas

Within the assessment I quoted in the beginning of this text, the authors concluded that the Exakta’s many limitations and quirks “add as much as a digital camera you could’t actually use alongside anything: it’s Exakta or nothing. For most individuals, this relegates the Exakta to curio standing.”

In comparison with the Exakta, the Exa is much more restricted, and much more quirky. However for me, it’s no curio or shelf queen. My assortment of classic cameras is a small one, however they’re all in common use – and so it’s with the Exa.

So simply how a lot quirkiness are you ready to tolerate in a digital camera? At what level does it go from being charming to actively annoying? What number of options do you really want? Are you able to deal with a left-handed shutter? This stuff – indefinable, subjective – are what’s going to finally decide whether or not you get on with the oddball that’s the Ihagee Exa. Personally, I adore it. It’s not my principal digital camera, however I exploit it extra usually than I anticipated to. I prefer it for its historical past, for its unimaginable collection of lenses, and for the way fairly it’s. And let’s face it, I like for its quirks.

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